Creative Ways to Add Blur to Your Photographs

||, Tips & Tricks|Creative Ways to Add Blur to Your Photographs

Creative Ways to Add Blur to Your Photographs

By |2019-01-20T09:54:08+00:00January 4th, 2019|Categories: Photography, Tips & Tricks|Tags: |2 Comments

If you want to have a little fun with your images, why not add some blur? There are a lot of different types of blur you can add, and below I’ve listed some of the methods I enjoy using to add a creative addition to my photographs.

Increase the size of the aperture

The most obvious way to add blur to a photograph is to photograph with a wide aperture. The extent of the blur you add to a photo will depend on a few different factors.

First, the lens you use will physically allow you to open the aperture only to a certain width. Lenses that go to f/2.8 and wider will typically let you to blur any element that is not your in-focus subject quite well.

But aperture alone is not the only factor that determines how the amount of blur added the rest of a photo. Focal length, along with your distance to the subject (and the subject’s distance to the background/foreground), can also play a very big role. Simply put, the longer your focal length, and the farther away you are from the subject (and the subject is from its background), the more blurry the background (or foreground) will become in your photo. Couple this with a wide aperture and you have a very out-of-focus background. (Click here to learn more about this technique, also referred to as lens compression.)

Impressionistic style photography

A fun way to blur a photograph is to use motion blur. To create this effect you set the shutter speed to a slow setting (I typically start out with 1/8 sec and go from there). Then, as you press the shutter speed, move the camera. I also tend to set the camera mode to one of the continuous settings to create more than one photograph for each pass. It takes a lot of experimenting with both the shutter speed and movement, but can be a lot of fun and you can end up with some fantastic results.

Tip: Use the subject to help determine camera direction. I will oftentimes use this technique when photographing trees in the forest, and usually move the camera up-and-down to move vertically with the shape of the trees.

Add blur with software

Another way to add blur is to use software. This can be done either in-camera (depending on your camera), or using software such as Photoshop. I use FUJIFILM cameras, and many of them have an “advanced” filter that allows me to create a miniature-style photograph which replicates the tilt-shift look.

Adding blur in Photoshop is relatively simple. There’s a filter called “Blur gallery” that allows you to easily drop in a tilt-shift or field blur effect with only a few clicks:

  1. In Photoshop, go to Filter > Blur Gallery > Tilt Shift (or choose any of the other items in this list)
  2. Next, click in the image to “pin” the blur to the photo.
  3. Adjust the settings to achieve your desired look, and click OK when finished.

(You can also use ON1 Photo RAW’s “Lens Blur” filter to¬†achieve a similar effect.)

Before

Panning

Panning is the art of moving your camera with a fast-moving subject, while also using a low shutter speed, with the intention to keep the subject in-focus and visible while also adding motion blur to the surrounding scene. It’s very experimental and can take several tries to get down the proper shutter speed and movement. A lot of it depends on how quickly your subject is moving, along with how close you are to the subject itself. Something that is close to you (while using a wider lens) will require more camera movement with a slower shutter speed, whereas something further away (with a longer lens) will need a faster shutter speed but less camera movement.

Tip: If you have a flash or strobe handy it will help to “freeze” the subject in place and keep the main part of the image looking crisp and bright.

Use a unique lens

Some lenses will allow you to add a lot of interesting blur effects in-camera. Tilt-shift lenses are an option, and one thing they allow you to do is create a unique focus. However they can be quite expensive and are not available for all camera models.

If you enjoy seeing things differently in-camera, then you may want to give a Lensbaby a try. These manual-focus lenses are truly unique and allow you to add interesting blur in the camera. Over the years they have expanded their offerings, and have many different types of lenses that each create their own effect.

 

Experiment with slow shutter speeds

Slow shutter speeds can be helpful for both long-exposure images photographed from a tripod, or by using a shutter speed that is just slow enough to capture movement with a hand-held photograph. I love to photograph both waterfalls and waves (crashing against a rocky shoreline), and using a slow shutter speed can give the water a beautiful and soft effect. The longer the shutter speed the more “cotton candy-like” the water will become. It’s fun to experiment with different settings to see what it does to the water. (Click here to learn more about creating long-exposure water photographs.)

This technique also works well with fast-moving clouds, cars at night, starry skies, people, and any fast-moving object. It’s fun to play around with your camera settings to see what kinds of interesting effects you can make with both handheld and tripod-mounted long exposures. (View the collection below to get an idea of what settings work with different situations.)

About the Author:

Nicole S. Young is a professional photographer and published author whose love of photography and teaching has grown into an online business where she creates training materials and resources for other photographers. Nicole is best known for her books on food photography, but is widely versed in a variety of photographic genres, including landscape, travel, lifestyle, and even underwater photography. You can learn more about Nicole's work on her website, nicolesy.com.

2 Comments

  1. Lisa Talley January 4, 2019 at 10:01 pm - Reply

    Hi Nicole, this must be providence, as on my way back from PDX today, I stopped at the Lensbaby store in Portland and bought my first Lensbaby , a Composer Pro II, with a sweet 50. For the rest of my drive home I listened to the latest NoName Photo Show, with you and Brian. Now, to get my creative juices flowing and have some fun!

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